Biography
Ondina del Pezzo
Born in Naples (Italy) in 1986, she lives and works in the city.
She obtained a degree in Conservation and Restoration of Cultural Heritage.
She has worked in some of the most beautiful and important museum sites in the city, including the Museo di Capodimonte, Villa Pignatelli, and the Museo della Ceramica Duca di Martina.
Other significant experiences in her professional development include working at the archaeological site of Pompei (Archaeological Park) and collaborating with the Soprintendenza Archeologica, Belle Arti e Paesaggio di Cosenza, during which she deepened her technical knowledge of artworks made from metallic materials.
Her personal artistic and expressive research began even before her training as a restorer. The exploration and experimentation with different materials and artistic techniques have always stimulated the development of a figurative and imaginative repertoire grounded in constant experimentation.
In her works, a fascination with geometric and natural forms merges into a coherent balance, outlining an idea of art as a meticulous composition of material ecosystems in which the viewer is encouraged to search for and explore worlds rich in symbolism, figures, and colors.
Ondina del Pezzo
Born in Naples (Italy) in 1986, she lives and works in the city.
She obtained a degree in Conservation and Restoration of Cultural Heritage.
She has worked in some of the most beautiful and important museum sites in the city, including the Museo di Capodimonte, Villa Pignatelli, and the Museo della Ceramica Duca di Martina.
Other significant experiences in her professional development include working at the archaeological site of Pompei (Archaeological Park) and collaborating with the Soprintendenza Archeologica, Belle Arti e Paesaggio di Cosenza, during which she deepened her technical knowledge of artworks made from metallic materials.
Her personal artistic and expressive research began even before her training as a restorer. The exploration and experimentation with different materials and artistic techniques have always stimulated the development of a figurative and imaginative repertoire grounded in constant experimentation.
In her works, a fascination with geometric and natural forms merges into a coherent balance, outlining an idea of art as a meticulous composition of material ecosystems in which the viewer is encouraged to search for and explore worlds rich in symbolism, figures, and colors.